I’ve been reading Satantango by László Krasznahorkai, and it is formatted in an unusual way, in that it is basically a wall of text with no paragraph breaks. While this sounds odd, and annoying to read (it was at first) it gives the words a kind of overwhelmingness, and endless pressure and urgency that really adds to the story.
It’s interesting that the shape of the words can be such a big part of storytelling. The decision to leave out all paragraph breaks, even between dialogue, almost makes you feel trapped inside the text, just like the characters are trapped in the town in the story. The author also uses very long sentences, which makes it hard to stop reading, as if you’re just being dragged along against your will.
What other kinds of text effects do authors use?
Jonas David 