26 hours ago we received the first print run of Lucent Dreaming’s debut issue. Oh my goodness. It looks awesome. It’s full colour, illustrated and high quality and features new and emerging authors and artists. And when you’ve read and reread the stories and poems, you can even colour in our illustrations! We’re open for […]
I finished it, and though parts of it made me think and feel and were interesting, overall I was mostly bored and impatient with it.
I enjoyed the close-view narration style of The Stranger a lot more, and maybe if I’d gone into it more expecting a sort of dry historical style account for most of it, I’d have liked it more. The last third of the book did have a lot of good stuff to it though.
On to new things!
I sent The Observer on it’s first journey to an agency. They give a 12 week window for response. So, now to try not to think about it for the next months…
Rejections are easier and easier to deal with, it’s the waiting that is hard. Because the longer they take, the more hopeful you become. Then the inevitable no is all the more painful when it finally arrives. Though, now that I’ve sent out my own share of rejections at Lucent Dreaming, I know that sometimes they just take a while to get to, and read, and think about. There’s just no getting around that wait time, is there? Unless you’re a really awesome place like Clarkesworld, then it’s only a few days or less.
It really is terrible, though… the waiting… the waiting… the torment of hope…
Every time I finish a particularly difficult book, be it bad, or odd, or just confusing, I take a break with a Nabokov novel. They are always so clear and crisp and enjoyable, it’s like drinking a nice glass of cool water after a tiring time in the sun.
This time I’m reading the Luzhin Defense, the story of an anti-social, obsessive chess player who goes mad. As all Nabokov novels I’ve so far read, it is just a joy, and the prose is so delicious, my brain thanks me in much the way in thanks me for a good meal. And it always makes me smile, with little bits like this for example:
Little Luzhin would go away, trailing his satchel over the carpet; Luzhin senior would lean his elbow on the desk, where he was writing one of his usual stories in blue exercise books (a whim which, perhaps, some future biographer would appreciate), and listen to the monologue in the neighboring dining room, to his wife’s voice persuading the silence to drink a cup of cocoa.
Can you not just see that so clearly… the over optimistic father, the pouty child and coddling mother… all in just a few sentences.
Something about the way he writes is just very enjoyable and smilingly good for me…
Writers all have their different habits and preferences for bringing words into existence. There are an endless number of writing programs, both free and paid, some just for processing words, or other more complex ones for organizing and story-boarding. Some writers even use pen and paper and keep physical piles of paper laying around! Personally, I choose to write everything in Google Docs, and here are my reasons why:
Accessibility: I can work on my project from any device with connection to the internet. Even if I don’t currently have a connection, I can open the file offline and work on it, and as soon as I connect it will be updated in the cloud. This removes so many excuses not to write. Even if all my electronic equipment went up in flames, I could still go to the library and open my document, and keep working. Which brings me to….
Peace of Mind: Laptop stolen? My story is safe. Critical error and hard drive erased? My story is safe. Unless Google goes belly up and shuts down all their servers, my story is always safe. Even the old horror story of a power outage or computer crash when I haven’t pressed ‘save’ in a while is no longer a worry, because it always is auto-saved to the cloud.
Sharing and Collaboration: Stories need to be reviewed, and it’s very easy to send a link to a Google Docs file, and allow comments, or even allow editing by anyone with the link, or give permission to specific people. Sure, I can always put a word doc in an email and send it to a bunch of people, but this leads to so many different versions to go over. With Docs, I can have all the comments from all the readers all on the same file, with no effort required by anyone. Just click the link, read, and comment.
Version History: Did you know Google Docs had this? I didn’t until recently. This adds even more to the peace of mind section, as well as simplicity. I can make major changes to a story without worrying about saving another version, because Google does that for me. All I have to do is go to file > version history > see version history, and I can look at earlier versions by date. Drink a bit too much and make some sweeping changes that don’t look so good in the morning? Just load up an earlier version. Thanks Google!
Download as: Yes, it’s true that Google Docs doesn’t have quite the formatting capabilities as Word, but after you’re done writing and want to do some formatting of the final version, just download it as a word doc! You can also download as .odt, .rtf, .pdf, .txt, .htm. and even .epub, to upload it right to your e-reader!
Free!: And all this convenience is completely free. Just get a google account, and you’ll have access to all these features as well as 5gb of free storage space, which, when we’re dealing with text documents might as well be unlimited. Give it a try! You’ll thank me later 🙂
I’ve started reading The Plague, by Albert Camus since I liked The Stranger so much, and …. sigh. It’s the same problem I had with Madame Bovary and to a lesser extent, Swan’s Way. There are no characters, and just descriptions of things happening in a very passive, drawn back way. I don’t know if this is a different translator than The Stranger, or what, but it’s a completely different style and not engaging at all.
It’s a fairly short novel, so I’m going to stick with it, but I’m getting all kinds of ‘what not to do’ ideas for my own writing while reading this…
I’m about 20% through it, so it still has time to get better. I keep waiting for it to ‘zoom in’ and start the story, but it might not ever do this. We’ll see…
I’ve broken my streak of giving up on French classics!
This was a short, and somewhat disturbing read. The story opens with the character, Meursault, stating that his mother has died, though he’s not exactly sure when, and then describes her funeral.
We soon find that the Meursault does not seem to have any emotional connection to anything that is happening around him. He does not cry at his mother’s funeral, or seem to feel much at all about it.
The only thing that seems to get much of a reaction out of Meursault at all is the heat. He feels more about the heat while walking during the funeral procession, than he does his mother’s death.
As the story progresses, Meursault ends up helping a friend, Raymond, exact a pretty gross revenge on his lover. He does this without really thinking about it, and only on his second time meeting Raymond.
This cruel revenge leads the lovers brother to attack Raymond at the beach where they are vacationing. Meursault is present for the altercation, but doesn’t seem to feel or care much about it, except that he doesn’t want to be around the women (Meursault’s girlfriend and another guest) who are very upset by the incident. Here too, the heat is the only thing that phases him. The hot sun reflecting off the water and burning and oppressing him makes it hard for him to think. But he’d rather be outside in the sun, than inside with the upset women, so he goes for a walk out in the sun, which leads eventually to his predicament.
He finds, that in blind delirium brought on by the sun, he’s shot the man Raymond was feuding with.
The novel then continues with his arrest and sentencing, and time in prison. During all of it, the only thing that that seems to illicit any kind of reaction from him, is when the courtroom is over hot.
The end of this book, and Meursault’s thoughts on the inevitability of death had a anxious, upsetting affect on me, and I found myself connecting with this empty character in several ways. Mainly, his fear not of death itself, but his frustration with the inevitability of it, the lack of hope or means of escape.
There were many parallels to Crime and Punishment in this story, but unlike Roskolnikov, whose paranoia and guilt and nervousness lead to his capture, it is exactly the opposite for Meursault–his coolness and emotionless reaction to everything and everyone around him are his demise.
Very interesting, and somewhat upsetting read.