Admitting defeat

Well… I must embarrassingly resign myself as uncultured, and impatient. Swan’s Way by Marcel Proust is just too boring for me to continue.

I think I am missing something, because I don’t understand the draw. It’s not that I can’t handle writing without a narrative, since I loved The Peregrine… but, the lack of narrative in Swan’s Way is not made up with exceedingly beautiful writing… or, not beautiful enough for me anyway. There is just nothing to bring me back to it, or hold my attention once I grudgingly start again.

I think, it is likely something that needs to have attention given to it. But I don’t want to have to give attention. I want my attention taken, and held hostage!

Maybe I’ll try it again when I’m older…

Words to Control + F

When in the process of splashing out words for a new story, we all find ourselves writing words we don’t need, repeating words, and being hacks in general. I’ve composed a list of these ‘filler’ words that I’ve found most often in my own work. Search for, and delete!

Very: Delete any that aren’t in dialogue.

Almost: Delete unless it is specifically necessary for a thing to almost be, instead of just being.

Nearly: same as above

Really: Delete if it’s being used as an adverb, unless in dialogue.

Still: When used to show something is continuing, you can delete it 90% of the time. To show something is motionless, often you can use a better word. (I bet you’ve used ‘still’ a dozen times for that already.)

Toward: Can almost always be changed to ‘at’ or ‘to’ or be removed.

Turn: My characters are constantly turning this way and that (even turning toward things!) and most of it is unnecessary.

Feel/felt: Jane felt the water lapping gently at her feet. versus The water lapped gently at Jane’s feet. The only reason to say feel/felt is if the character wasn’t feeling it before and now is, otherwise it is sort of taken for granted that they can feel it…

Watch/see/saw: Same as above. Unless there is a real need to make it clear that the something is visible to your character, it is kind of assumed that the viewpoint character can see what you are describing. Jane saw and heard the waves splashing, and felt them lap her toes. Seems silly now, right?

 

Proust: Rambling thoughts, or more?

I’ve started listening to my first Proust, and it’s not very engaging. It is interesting though. Mainly I’m thinking “this guy is just going on about inane memories that can have no importance to anyone other than himself, and yet this is a classic.”

I think that goes to show that you really can write about anything, even thousands and thousands of words about the feeling of drinking a cup of tea, and it will be good if you fill it with passion.

I am early in the book, so maybe it pulls together and connects in some overarching way, or to tell some story. But so far it seems very self-indulgent and meandering. I’m still listening, though….

365 posts

With this post I have gone 1 full year in a row of posting every day.

views

And that, is the result.

I’ve had almost double the number of views this year than I had on my last highest year. And I’ve had more LIKES than I had views last year.

And… I don’t see a reason to stop! Though, I admit after passing the one year mark I don’t feel as much pressure to keep it up, but in reality it hasn’t been that difficult at all… so why not?

I’ve also read more books this year than any in recent history, and written more too… probably, though I haven’t kept close track of that.

All in all, a good year for the written and read word!

Thanks to all who read my words, and I hope to read more of yours, too!

Despair, by Vladimir Nabokov

Schadenfreude–pleasure derived by someone from another person’s misfortune. Nabokov, I am coming to find, is the master of this.

The key to it, is to not identify too much with the person experiencing the misfortune, otherwise it becomes uncomfortable, cringy, awkward… but this, is not. You find yourself laughing with the most perfect satisfaction.

And I want more!

Good thing he has many novels left for me to read…

Writing and editing?

I’ve started a new short story, and am also editing my novella… what new super power is this?

Mystery on the side

I’m listening to another Nabokov novel, and no surprise, it’s great. This one is about a struggling businessman who also seems a bit mentally unstable, running across a vagrant who happens to look exactly like him.

The instant he sees this face, a plan sparks in his mind. You can tell, but, you don’t know what that plan is… and that is the mystery. Not how he is going to do something (he’s going to do it by using a look-alike in some way) but what he is going to do.

Since it’s Nabokov, I automatically suspect that this guy is way less smart than he thinks he is, and also that there is a lot going on between the lines. I’ve not yet discovered much, but it is fun searching for it.