There are two ways to reveal a surprise or secret you've been hinting at in a story. Well, I'm sure there's more than two but let's be black and white for a minute. There's a good way, and a bad way. There's a way that makes your reader smile and say 'ah, yes I suspected that' …
Borne: why?
Finally finished this book, and I'm left with a lot of question. Mainly: what was the point? This post contains spoilers. What was Borne's purpose? What was Morde's purpose? What was the magician trying to do, other than kill Morde? Was the whole story just an essay against scientific meddling? Borne, the most interesting …
To contract or not contract
What makes a writer decide not to use contractions? Especially in a story written in first person, they seem like a natural choice to make it sound more like a person speaking. In Borne, the narrator doesn't contract. Saying 'could not' and 'can not' and 'did not' etc, isn't exactly distracting, but I notice it …
Borned
When your viewpoint character is the least interesting character in the story, this might be a problem. I'd rather read about Borne. I'd rather read about Wick. I'd rather read about 'the Magician.' I'd rather read about Morde the giant bear. I'd rather read about the mysterious scientists in the Company building. I'd rather read …
Painfully obvious metaphors
Borne is a child. The person who found Borne feels like a mother to 'him', and is raising him with the man she lives with. They argue about Borne a lot like parents in a broken home might. Borne doesn't know about the world or himself and gets hurt because of his innocence, and then …
Jonas David 