What makes a writer decide not to use contractions? Especially in a story written in first person, they seem like a natural choice to make it sound more like a person speaking. In Borne, the narrator doesn't contract. Saying 'could not' and 'can not' and 'did not' etc, isn't exactly distracting, but I notice it …
Borned
When your viewpoint character is the least interesting character in the story, this might be a problem. I'd rather read about Borne. I'd rather read about Wick. I'd rather read about 'the Magician.' I'd rather read about Morde the giant bear. I'd rather read about the mysterious scientists in the Company building. I'd rather read …
Painfully obvious metaphors
Borne is a child. The person who found Borne feels like a mother to 'him', and is raising him with the man she lives with. They argue about Borne a lot like parents in a broken home might. Borne doesn't know about the world or himself and gets hurt because of his innocence, and then …
Writing faster
Ten thousand words on the new project (the one I started, then stopped, then--guess what--started again) in a bit more than a month since I started it. This is pretty slow to be sure, but it's much faster than the glacial pace I crawled at for the first part of my previous novel, which took …
Chapter titles
Something Borne is doing--which I'm sure is done, but I can't think of another time I've seen it--is giving each chapter a provocative title. I really like this idea and might try it out to see if it fits in any of my writings. A chapter titled 'what I found in [character's] room' for example, …

