The Orville, episode 4

In another great episode, the crew encounters a huge ship, so huge it contains a whole city and farmland and sky within. The crew soon finds out that they are dealing with a generation ship with a people who have forgotten they are on a ship.

This may be an idea that seems played out for someone who’s read a lot of sci fi, but seeing this on TV is just great. The ship is heading for a star, and they’ve got to convince the people that they need help before they can be helped.

Another thing I thought was great about this episode is we get to see how tough the first officer, Kelly, is. There is a pretty hardcore scene where she is being straight up beat and tortured, and though she is cracking some pretty funny jokes, it is not a funny scene. It is brutal and feels real. And–as Hollywood looooves to do when it comes to women who are captured or being tortured–I’m glad to say she was not sexualized in any way. What another relief!

At the end of the episode, the ship turns out to have a retractable section that opens to allow the people to see the stars for the first time. It was a really cool, and emotional scene.

Once again, a Seth MacFarlane comedy show is showing up CBS’s Discovery. Just let that sink in a minute… then go watch it!

Happy Death Day

In the style of Groundhog Day, or more recently Edge of Tomorrow, Tree Gelbman (Jessica Rothe) is a college student living the same day over and over. Except she keeps getting murdered.

I never know what to expect from movies anymore, but I usually default toward expecting them to be dumb. This one was less dumb than I expected, and actually turned out to be a lot of fun.

Different than most slasher, horror flicks, we get a lot more death in this one because the main character can die over and over in all kinds of ways. It’s not very gore heavy, which is great by my standards, but it still manages to be very tense.  The fact that you know she’s going to just wake up each time she dies makes it even more impressive that they kept any tension at all.

I laughed a couple times, smiled more than a few, and cringed and gasped once or twice too. But most of all, my attention was held the entire time.

Only a few things irritated me, one being when she finds out that Carter–the guy who’s dorm room she is waking up in over and over–and she didn’t have sex (which she’d assumed she must have) but that he just put her in his bed because she was pass out drunk. There is a little smile and ‘dawwww moment between them. But all I can think is ‘she’s feeling warm and fuzzy that he DIDN’T RAPE her?’ But I guess expecting not to be raped on a college campus might be a lot to ask these days…

Another thing that annoyed me is, sorry to spoil but, there is never a reason why she is living the day over and over. The opening leads me to believe it has something to do with her mom’s death, but that never comes into play.

In Groundhog Day we find out he had to be a good person, in Edge of Tomorrow it was alien blood/slime, but in this one it’s a big ???

That, however annyoing it might sound, is actually not a big deal though, because the movie is so fun, and Jessica Rothe is so good. I expect she’ll be in a lot more movies soon, she was very charming and convincingly scared or terribly mean as was required of her.

Good stuff!

 

The Orville, episode 3

I was only last week thinking about one of my favorite Star Trek episodes, ‘measure of a man’, the entirity of which takes place in a courtroom, and thinking how that kind of story could never be on TV these days. And then I get an episode like this episode of The Orville. On a comedy show… ???

Bortus’s egg hatches, and its a baby girl. The only problem is, Bortus’s people are all males. Any rare females that are born have a special procedure done to make them into males. Bortus, of course, wants the ship’s doctor to perform the procedure on his new child. Ethical dilemmas ensue.

And the entire episode is debating on whether it is right to change the sex of the child. Whether the Union has the right to stop another culture (species too, but let’s not go there) from doing what they think is right for their own child.

On a comedy show.

I can’t help but think that Seth is secretly giving a big ol’ middle finger to the Hollywood establishment with this series. Sort of showing them up by having actual good storylines, that make you think and care more than these big budget spectacles do, on his goofy comedy show.

This is real sci fi. While Star Trek: Discovery has aliens blowing eachother up and space ships fighting all over, this goofy comedy show is showing up with actual ideas and interesting concepts.

This is how it’s done.

The Orville, episode 2

Another fun, adventurious episode from the Orville that started with a classic TNG style opening.

After receiving a distress signal from a nearby ship, the crew of the Orville are surprised to find that captain Mercer’s parents are on the ship. He and the first officer take a shuttle over to the stranded ship, but upon entering it, are teleported away. The ship is an illusion, and vanishes, leaving behind a buoy, and the captain and first officer are gone.

Cue rising music, and cut to commercial!

That is great stuff.

Despite the slightly overdone ‘alien zoo’ plot, the episode was enjoyable and fun. I did have a bit of a problem with the ‘moral’ of the episode, though.

When going to the fake stranded ship, the captain leaves Kiran in charge. After they disappear, she doesn’t know what to do. She is very young and has no leadership experience. She contacts a starfleet–er, I mean Union admiral and is instructed to return to earth and leave the captain and first officer behind as dead in the line of duty.

So of course she follows orders.

Until everyone gets grumpy with her, and says that the captain would have gone after her, and so on, until she is guilted into taking the ship after the captain.

The problem is, there was a very good reason she was ordered to come back. The aliens who took the captain are very technologically advanced, and the entire ship could be at risk, and all those lives shouldn’t be risked in order to maybe save two people.

If Kiran had taken a shuttle and some volunteers to go after him, okay. But she took the whole ship with hundreds of people on board, disobeyed direct orders and risked all their lives… and is awarded with a medal at the end of the episode.

I get what they were going for… but Picard would not approve!

Otherwise a good episode, Bortus and his egg was really funny, and overall a lot of fun and thoughtful stuff.

A slow burning fuse

I’m still reading  The Peregrine , and it is taking me a while. It is such beautiful writing but with no conflict, it is easy to set it down. But I always come back eventually, for the beautiful writing. It’s like an expensive box of rare chocolate, you have one now and then and savor it, instead of wolfing it all down in one sitting.

But now, about 30% through the novel, it is starting to grab me with interesting things. Things other than descriptions of nature. It took a long time to get there, but I don’t think it would have been possible without all the buildup and setting of the tone and scene. And it is amazing, once it starts…

Now I’m getting the ‘what will happen’ urge to go back to it. Now I know something strange is going on, and I wonder what the conclusion will be. But I really don’t think it could have been done if it just started out that way.

Some things require patience and build up and preparation… sadly, things most people don’t have time for in entertainment anymore. If something isn’t exploding on page one, we put the book down.

I found myself imagining how a movie of this would be. Just shots of birds and animals, and a man walking through nature, watching, and his reactions to it and slow change in personality… no dialogue, no running around shooting or crying or fighting or arguing. Just shots of hawks killing wood-pigeons, and the man staring weirdly at the picked clean bones.

I’d watch it… but it would never be made.

 

Star Trek: Discovery, episode 4

Well, I’m still watching.

This episode, once again, keeps dragging me along like an abusive relationship.

I get a little hint of interesting in that the deadly creature in the Captain’s chambers is somehow a giant Tardigrade. This is a super cool idea because Tardigrades are super interesting and I don’t think I’ve seen a Tardigrade monster in sci fi before. Also cool is that Michael doesn’t want to harm the creature, and is more interested in learning about it for curiosity’s sake than cutting it up for war purposes.

But then we’re back to war. The Discovery (a science ship) has a handwavy engine based on magic mushrooms that allows it to instantly appear anywhere in the Galaxy, and we better use that to bomb some Klingons! Nevermind what fans of Trek actually want to see, like, jumping instantly into unknown parts of the galaxy to explore crazy weird planets–no, lets just have some explosions.

Bored!

I keep hoping that just MAYBE one of their jumps will send them somewhere they can’t get back from, and they’ll be forced to do a bit of discovering. But so far we’re just doing war things, with a few interesting science fiction crumbs thrown out for the fans like me to keep us just on this side of starvation.

 

Star Trek: Discovery, episode 3

In what feels like the first episode of the series, we begin to follow Michael on her journey after having her rank stripped and being sent to prison.

At least Saru is back!

Good stuff: We are on a science ship, doing research. Not a war ship, not in battle. The characters are mostly scientists, interested in knowledge.

Bad stuff: We’re still in a giant war. The research is for the purpose of war. War war war war. War.

Silly stuff: The fungus spores turn out to not be a biological weapon but some how are used for instantaneous travel? What? At least try to have it make a bit of sense… this is Doctor Who levels of hand-waving going on here.

Creepy stuff: Those twisted bodies… wow, very creepy effect, though no real explanation as to how that creature did that to them. This episode could have been part of a horror movie almost. Very dark.

I like that they are on a science ship doing research. I like that the characters aren’t soldiers and will presumably not be seeking out battle (except maybe Michael). But the Discovery is painted as a dark, sinister kind of ship with a captain that is willing to do anything to achieve his goal, and sort of has the vibe of ‘technology bad!’ that is so damn prevalent these days.

Over-all, better than the first two episodes, and there seems to be potential. I’ll keep watching, but am not holding out too much hope.